Adriana prodeus9/4/2023 ![]() Its exclusive New York run took in $20,000, a strong number for any specialized opener. Scoring surprisingly strong numbers is “ Babylon,” an almost 40-year-old British-Jamaican film finally released stateside. Expanding “ Apollo 11” (Neon) added to its initial IMAX runs, landing in tenth place overall. Julianne Moore in “ Gloria Bell,” Sebastián Lelio’s Los Angeles redo of his Chilean success “Gloria,” led the field with a strong two-city start. ![]() The growing embrace of large format lenses (Midsommar) and de-aging technology ( The Irishman), and bolder experimentations with frame rate, storytelling, structure (Climax) and guerilla filmmaking techniques or Diy methods of production (every Safdie brothers film including Uncut Gems) are but some of these changes, while the proliferation of streaming sites from the popular to the curated breathed new life into overlooked films by allowing smaller-scale titles, inaccessible.įresh product is invigorating the post-awards season. What a way to bid the decade adieu! 2019 boasted an incredible lineup of foreign, art-house and independent films-ranging from character studies to multi-genre fare to ghost stories and socially charged thrillers-and in many ways, this year’s offerings were the perfect distillation and culmination of ten years’ worth of technical, cultural, political and artistic transformations. Check out the latest below and see our complete year-end coverage here. ![]() Following our top 50 films of 2019, we’re sharing personal top 10 lists from our contributors. ![]()
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